Le soul (« âme » en anglais) est une musique populaire afro-américaine née à la fin des années 1950 et dérivée, entre autre, du gospel et du blues mais aussi du jazz et du rhythm’n’blues. Elle est considérée par certains comme un retour du rhythm’n’blues aux racines dont il est issu : le gospel (musique d’église).
Le terme soul apparait pour la première fois dans les titres des premiers albums de Ray Charles: Soul Brothers en 1958 et Soul Meeting en 1961. Le développement du soul a été stimulé par deux tendances principales : l’urbanisation du rhythm’n’blues et la sécularisation du gospel. C’est Ray Charles qui mélangea sa passion pour le gospel avec les rythmes saccadés du rhythm’n’blues pour donner naissance au soul. On retrouve donc dans le soul une partie de l’émotion sacrée mêlée à des thèmes profanes, souvent à forte connotation sexuelle. Le soul puise ses racines dans le jazz, le gospel et le negro spiritual. La jeunesse noire l’a utilisé comme un mouvement contestataire pour réagir face à la communauté blanche.
À la fin des années 1950, la volonté de proposer au public blanc des artistes noirs originaux conduit plusieurs labels à rechercher des versions commercialisables de la musique noire. Les deux labels les plus influents sont alors Stax (près de Memphis) et la Tamla Motown à Detroit. On les oppose souvent et l’on parle alors de southern soul (Stax) plus proche des racines (soul rapide et incisive) et de northern soul, plus dansante et plus influencée par la pop. De même en termes de management, Motown (dont le slogan « la musique de la jeune Amérique » épouse les volontés d’émancipation de l’époque) est le premier label fondé et dirigé par un noir américain, le redoutable Berry Gordy. À l’inverse Stax est fondé par un blanc Jim Stewart, et nombre de ses plus fameux musiciens de séance sont blancs eux aussi (Steve Cropper, Donald « Duck » Dunn, Tom Dowd…).
La soul explose véritablement dans les années 1960. Alors que dans un style plus classique s’impose le son du studio Muscle Shoals de Dan Penn et Spooner Oldham (Aretha Franklin, Etta James, Wilson Pickett…), James Brown (« The Godfather of Soul ») et Curtis Mayfield introduisent des rythmes plus syncopés et donnent alors une nouvelle orientation à cette musique. C’est la création du funk, un style inséparable de la soul, qui atteindra son apogée dans les années 1970-1980 avec des groupes comme The JB’s (les musiciens de James Brown), Sly and the Family Stone, Tower of Power, suivis par Bootsy Collins et George Clinton avec leurs formations déjantées (Parliament et Funkadelic : le P-Funk ! Un son beaucoup plus axé sur les basses et les « beats »).
À la fin des années 1970 et au début des années 1980, de nouveaux artistes renouvellent le genre, à l’image de Michael Jackson avec Off The Wall, Barry White ou Luther Vandross. Ils popularisent définitivement le soul.
Un peu plus tard, le rap en faisant du »sampling » avec les standards des années 1960 et 70 contribuera à une nouvelle popularité du soul. Certains groupes iront plus loin et fusionneront soul et rap pour donner naissance au new jack swing, devenu R&B/Hip-Hop, puis enfin à la nu soul dans la seconde partie des années 1990 (fusion d’instrumentations organiques mais typées hip-hop et de textes et vocalises toujours dans l’esprit soul). D’Angelo, De La Soul, Erykah Badu, Maxwell et Omar, seraient à l’origine de ce mouvement.Très écouté en Jamaïque, il influence beaucoup le rock steady et le reggae qui sont des formes caribéennes du soul.Les artistes les plus représentatifs du genre (par ordre alphabétique)
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Les 300 meilleures chansons
| 1 | FRANKLIN, ARETHA | RESPECT |
| 2 | GAYE, MARVIN | I HEARD IT THROUGH THE GRAPEVINE |
| 3 | KING, BEN E. | STAND BY ME |
| 4 | REDDING, OTIS | (SITTIN’ ON) THE DOCK OF THE BAY |
| 5 | CHARLES, RAY | WHAT’D I SAY (PARTS 1 AND 2) |
| 6 | BROWN, JAMES | PAPA’S GOT A BRAND NEW BAG PT. 1 |
| 7 | WONDER, STEVIE | SUPERSTITION |
| 8 | GAYE, MARVIN | WHAT’S GOING ON |
| 9 | SLEDGE, PERCY | WHEN A MAN LOVES A WOMAN |
| 10 | PICKETT, WILSON | IN THE MIDNIGHT HOUR |
| 11 | SLY & THE FAMILY STONE | EVERYDAY PEOPLE |
| 12 | JACKSON, MICHAEL | BILLIE JEAN |
| 13 | FOUR TOPS, THE | REACH OUT (I’LL BE THERE) |
| 14 | GREEN, AL | LET’S STAY TOGETHER |
| 15 | BROWN, JAMES | I GOT YOU (I FEEL GOOD) |
| 16 | BROWN, JAMES | PLEASE, PLEASE, PLEASE |
| 17 | TEMPTATIONS, THE | MY GIRL |
| 18 | MIRACLES, THE | THE TRACKS OF MY TEARS |
| 19 | MARTHA & THE VANDELLAS | DANCING IN THE STREET |
| 20 | JACKSON 5, THE | I WANT YOU BACK |
| 21 | TURNER, IKE & TINA | RIVER DEEP MOUNTAIN HIGH |
| 22 | COOKE, SAM | A CHANGE IS GONNA COME |
| 23 | SLY & THE FAMILY STONE | DANCE TO THE MUSIC |
| 24 | CHARLES, RAY | GEORGIA ON MY MIND |
| 25 | FUNKADELIC | ONE NATION UNDER A GROOVE |
| 26 | WARWICK, DIONNE | WALK ON BY |
| 27 | SLY & THE FAMILY STONE | FAMILY AFFAIR |
| 28 | COOKE, SAM | YOU SEND ME |
| 29 | SUPREMES, THE | WHERE DID OUR LOVE GO |
| 30 | TEMPTATIONS, THE | PAPA WAS A ROLLIN’ STONE |
| 31 | WONDER, STEVIE | LIVING FOR THE CITY |
| 32 | WILSON, JACKIE | LONELY TEARDROPS |
| 33 | WILSON, JACKIE | (HIGHER AND HIGHER |
| 34 | GAYE, MARVIN | LET’S GET IT ON |
| 35 | ISLEY BROTHERS, THE | SHOUT PART. 1 & 2 |
| 36 | BROWN, JAMES | IT’S A MAN’S MAN’S MAN’S WORLD |
| 37 | IMPRESSIONS, THE | PEOPLE GET READY |
| 38 | GAYE, MARVIN | SEXUAL HEALING |
| 39 | SLY & THE FAMILY STONE | STAND! |
| 40 | CHARLES, RAY | I CAN’T STOP LOVING YOU |
| 41 | REDDING, OTIS | I’VE BEEN LOVING YOU TOO LONG (TO STOP NOW) |
| 42 | ISLEY BROTHERS, THE | IT’S YOUR THING |
| 43 | GREEN, AL | TAKE ME TO THE RIVER |
| 44 | REDDING, OTIS | TRY A LITTLE TENDERNESS |
| 45 | BROWN, JAMES | GET UP (I FEEL LIKE BEING A) SEX MACHINE PT. 1 |
| 46 | FRANKLIN, ARETHA | CHAIN OF FOOLS |
| 47 | CHARLES, RAY | I GOT A WOMAN |
| 48 | JACKSON, MICHAEL | BEAT IT |
| 49 | FRANKLIN, ARETHA | I NEVER LOVED A MAN |
| 50 | MARTHA & THE VANDELLAS | HEAT WAVE |
| 51 | TURNER, TINA | WHAT’S LOVE GOT TO DO WITH IT |
| 52 | SLY & THE FAMILY STONE | THANK YOU (FALETTINME BE MICE ELF AGIN) |
| 53 | SAM AND DAVE | SOUL MAN |
| 54 | GREEN, AL | TIRED OF BEING ALONE |
| 55 | WITHERS, BILL | LEAN ON ME |
| 56 | PARLIAMENT | FLASH LIGHT |
| 57 | SAM AND DAVE | HOLD ON! I’M COMIN’ |
| 58 | SLY & THE FAMILY STONE | HOT FUN IN THE SUMMERTIME |
| 59 | WONDER, STEVIE | HIGHER GROUND |
| 60 | WONDER, STEVIE | YOU ARE THE SUNSHINE OF MY LIFE |
| 61 | SUPREMES, THE | BABY LOVE |
| 62 | KNIGHT, GLADYS & THE PIPS | MIDNIGHT TRAIN TO GEORGIA |
| 63 | BELL, ARCHIE & THE DRELLS | TIGHTEN UP |
| 64 | TEMPTATIONS, THE | JUST MY IMAGINATION |
| 65 | HAYES, ISAAC | THEME FROM SHAFT |
| 66 | SUPREMES, THE | STOP! IN THE NAME OF LOVE |
| 67 | WITHERS, BILL | AIN’T NO SUNSHINE |
| 68 | WONDER, STEVIE | UPTIGHT |
| 69 | GREEN, AL | LOVE AND HAPPINESS |
| 70 | CHARLES, RAY | HIT THE ROAD JACK |
| 71 | STARR, EDWIN | WAR |
| 72 | KING, BEN E. | SPANISH HARLEM |
| 73 | STRONG, BARRETT | MONEY (THAT’S WHAT I WANT) |
| 74 | SUPREMES, THE | YOU KEEP ME HANGIN’ ON |
| 75 | MIRACLES, THE | THE TEARS OF A CLOWN |
| 76 | BROWN, JAMES | SAY IT LOUD (I’M BLACK AND I’M PROUD) PT. 1 |
| 77 | STAPLE SINGERS, THE | I’LL TAKE YOU THERE |
| 78 | WELLS, MARY | MY GUY |
| 79 | JACKSON, MICHAEL | DON’T STOP ‘TIL YOU GET ENOUGH |
| 80 | FRANKLIN, ARETHA | THINK |
| 81 | MIRACLES, THE | OOO BABY BABY |
| 82 | BUTLER, JERRY & THE IMPRESSIONS | FOR YOUR PRECIOUS LOVE |
| 83 | MARVELETTES, THE | PLEASE MR. POSTMAN |
| 84 | ISLEY BROTHERS, THE | THAT LADY |
| 85 | CHANDLER, GENE | DUKE OF EARL |
| 86 | FRANKLIN, ARETHA | I SAY A LITTLE PRAYER |
| 87 | O’JAYS, THE | LOVE TRAIN |
| 88 | COOKE, SAM | WONDERFUL WORLD |
| 89 | SUPREMES, THE | YOU CAN’T HURRY LOVE |
| 90 | FOUR TOPS, THE | BABY I NEED YOUR LOVING |
| 91 | BAKER, LAVERN & THE GLIDERS | JIM DANDY |
| 92 | O’JAYS, THE | BACK STABBERS |
| 93 | TEMPTATIONS, THE | AIN’T TOO PROUD TO BEG |
| 94 | BROWN, JAMES | COLD SWEAT PT. 1 |
| 95 | MARTHA & THE VANDELLAS | NOWHERE TO RUN |
| 96 | LABELLE | LADY MARMALADE |
| 97 | FLOYD, EDDIE | KNOCK ON WOOD |
| 98 | MIRACLES, THE | YOU’VE REALLY GOT A HOLD ON ME |
| 99 | JAMES, ETTA | AT LAST |
| 100 | STAPLE SINGERS, THE | RESPECT YOURSELF |
| 101 | WILSON, JACKIE | REET PETITE |
| 102 | GAYE, MARVIN & TERRELL, TAMMI | AIN’T NO MOUNTAIN HIGH ENOUGH |
| 103 | COOKE, SAM | CHAIN GANG |
| 104 | JACKSON, MICHAEL | ROCK WITH YOU |
| 105 | FOUR TOPS, THE | I CAN’T HELP MYSELF |
| 106 | FRANKLIN, ARETHA | (YOU MAKE ME FEEL LIKE) A NATURAL WOMAN |
| 107 | MAYFIELD, CURTIS | MOVE ON UP |
| 108 | GAYE, MARVIN | MERCY MERCY ME (THE ECOLOGY) |
| 109 | TEMPTATIONS, THE | BALL OF CONFUSION |
| 110 | MIRACLES, THE | SHOP AROUND |
| 111 | PARLIAMENT | TEAR THE ROOF OFF THE SUCKER |
| 112 | GAYE, MARVIN | INNER CITY BLUES |
| 113 | CHI-LITES, THE | HAVE YOU SEEN HER |
| 114 | CONTOURS, THE | DO YOU LOVE ME |
| 115 | MAYFIELD, CURTIS | FREDDIE’S DEAD |
| 116 | CLINTON, GEORGE | ATOMIC DOG |
| 117 | SLY & THE FAMILY STONE | EVERYBODY IS A STAR |
| 118 | CHI-LITES, THE | OH GIRL |
| 119 | BROWN, JAMES | THE PAYBACK |
| 120 | RUFFIN, JIMMY | WHAT BECOMES OF THE BROKENHEARTED |
| 121 | TEMPTATIONS, THE | CLOUD NINE |
| 122 | COOKE, SAM | BRING IT ON HOME TO ME |
| 123 | ISLEY BROTHERS, THE | TWIST AND SHOUT |
| 124 | SPINNERS, THE | I’LL BE AROUND |
| 125 | WONDER, STEVIE | MASTER BLASTER ( JAMMIN’ ) |
| 126 | BURKE, SOLOMON | EVERYBODY NEEDS SOMEBODY TO LOVE |
| 127 | SLY & THE FAMILY STONE | I WANT TO TAKE YOU HIGHER |
| 128 | FOUR TOPS, THE | STANDING IN THE SHADOWS OF LOVE |
| 129 | WALKER, JR. | SHOTGUN |
| 130 | TEMPTATIONS, THE | I WISH IT WOULD RAIN |
| 131 | JACKSON, MICHAEL | THRILLER |
| 132 | O’JAYS, THE | I LOVE MUSIC |
| 133 | MELVIN, HAROLD & THE BLUE NOTES | WAKE UP EVERYBODY |
| 134 | ISLEY BROTHERS, THE | THIS OLD HEART OF MINE |
| 135 | COOKE, SAM | CUPID |
| 136 | JOHN, LITTLE WILLIE | FEVER |
| 137 | WONDER, STEVIE | YOU HAVEN’T DONE NOTHIN |
| 138 | CONLEY, ARTHUR | SWEET SOUL MUSIC |
| 139 | RICHIE, LIONEL | ALL NIGHT LONG |
| 140 | MAYFIELD, CURTIS | SUPERFLY |
| 141 | STYLISTICS, THE | I’M STONE IN LOVE WITH YOU |
| 142 | BROWN, JAMES | TRY ME |
| 143 | PICKETT, WILSON | LAND OF 1000 DANCES |
| 144 | WONDER, STEVIE | FINGERTIPS – PART 2 |
| 145 | FOUR TOPS, THE | IT’S THE SAME OLD SONG |
| 146 | PICKETT, WILSON | MUSTANG SALLY |
| 147 | FRANKLIN, ARETHA | DO RIGHT WOMAN, DO RIGHT MAN |
| 148 | MIRACLES, THE | I SECOND THAT EMOTION |
| 149 | JACKSON 5, THE | THE LOVE YOU SAVE |
| 150 | BUTLER, JERRY | ONLY THE STRONG SURVIVE |
| 151 | JACKSON 5, THE | I’LL BE THERE |
| 152 | BROWN, JAMES | HOT PANTS PT. 1 |
| 153 | COMMODORES, THE | BRICK HOUSE |
| 154 | JACKSON, MICHAEL | WANNA BE STARTIN’ SOMETHIN’ |
| 155 | BROWN, JAMES | NIGHT TRAIN |
| 156 | THREE DEGREES, THE | WHEN WILL I SEE YOU AGAIN |
| 157 | GAYE, MARVIN | GOT TO GIVE IT UP |
| 158 | WONDER, STEVIE | BOOGIE ON REGGAE WOMAN |
| 159 | FOUR TOPS, THE | BERNADETTE |
| 160 | FUNKADELIC | COSMIC STOP |
| 161 | BURKE, SOLOMON | CRY TO ME |
| 162 | COOKE, SAM | ANOTHER SATURDAY NIGHT |
| 163 | FUNKADELIC | MAGGOT BRAIN |
| 164 | MANHATTANS, THE | KISS AND SAY GOODBYE |
| 165 | CHARLES, RAY | NIGHT TIME IS THE RIGHT TIME |
| 166 | JAMES, ETTA | I’D RATHER GO BLIND |
| 167 | TEMPTATIONS, THE | I CAN’T GET NEXT TO YOU |
| 168 | SPINNERS, THE | COULD IT BE I’M FALLING IN LOVE |
| 169 | SUPREMES, THE | COME SEE ABOUT ME |
| 170 | EVERETT, BETTY | THE SHOOP SHOOP SONG (IT’S IN HIS KISS) |
| 171 | WHITE, BARRY | CAN’T GET ENOUGH OF YOUR LOVE BABE |
| 172 | McPHATTER, CLYDE | A LOVER’S QUESTION |
| 173 | WONDER, STEVIE | SIGNED SEALED DELIVERED |
| 174 | RICHIE, LIONEL / ROSS, DIANA | ENDLESS LOVE |
| 175 | WALKER, JR. | I’M A ROADRUNNER |
| 176 | IMPRESSIONS, THE | IT’S ALL RIGHT |
| 177 | JACKSON 5, THE | ABC |
| 178 | FRANKLIN, ARETHA | SPANISH HARLEM |
| 179 | THOMAS, RUFUS | TELL ME SOMETHING GOOD |
| 180 | JACKSON, MICHAEL | BLACK OR WHITE |
| 181 | COMMODORES, THE | THREE TIMES A LADY |
| 182 | RICHIE, LIONEL | HELLO |
| 183 | SUPREMES, THE | LOVE CHILD |
| 184 | TURNER, IKE & TINA | PROUD MARY |
| 185 | RICHIE, LIONEL | STUCK ON YOU |
| 186 | LOVE UNLIMITED ORCHESTRA | LOVE’S THEME |
| 187 | PAUL, BILLY | ME AND MRS. JONES |
| 188 | ROSS, DIANA | AIN’T NO MOUNTAIN HIGH ENOUGH |
| 189 | MOORE, DOROTHY | MISTY BLUE |
| 190 | SPINNERS, THE | WORKING MY WAY BACK TO YOU |
| 191 | WONDER, STEVIE | I WISH |
| 192 | RICHIE, LIONEL | TRULY |
| 193 | KNIGHT, GLADYS & THE PIPS | I HEARD IT THROUGH THE GRAPEVINE |
| 194 | WONDER, STEVIE | SEND ONE YOUR LOVE |
| 195 | JACKSON 5, THE | DANCING MACHINE |
| 196 | STYLISTICS, THE | YOU MAKE ME FEEL BRAND NEW |
| 197 | WONDER, STEVIE | SIR DUKE |
| 198 | IMPRESSIONS, THE | KEEP ON PUSHING |
| 199 | WHITE, BARRY | NEVER, NEVER GONNA GIVE YOU UP |
| 200 | SUPREMES, THE | STONED LOVE |
| 201 | WONDER, STEVIE | THAT GIRL |
| 202 | TURNER, IKE & TINA | A FOOL IN LOVE |
| 203 | MARTHA & THE VANDELLAS | JIMMY MACK |
| 204 | WONDER, STEVIE | FOR ONCE IN MY LIFE |
| 205 | JACKSON 5, THE | NEVER CAN SAY GOODBYE |
| 206 | TURNER, TINA | BETTER BE GOOD TO ME |
| 207 | STYLISTICS, THE | YOU ARE EVERYTHING |
| 208 | O’JAYS, THE | FOR THE LOVE OF MONEY |
| 209 | RICHIE, LIONEL | DANCING ON THE CEILING |
| 210 | RAWLS, LOU | YOU’LL NEVER FIND ANOTHER LOVE LIKE MIND |
| 211 | THREE DEGREES, THE | MAYBE |
| 212 | CHARLES, RAY | LET’S GO GET STONED |
| 213 | BROWN, JAMES | GONNA HAVE A FUNKY GOOD TIME (live) |
| 214 | TURNER, TINA | WE DON’T NEED ANOTHER HERO (THUNDERDOME) |
| 215 | O’JAYS, THE | USE TA BE MY GIRL |
| 216 | COMMODORES, THE | EASY |
| 217 | WHITE, BARRY | I’M GONNA LOVE YOU JUST A LITTLE MORE, BABY |
| 218 | WALKER, JR. | WHAT DOES IT TAKE |
| 219 | WHITE, BARRY | IT’S ECSTASY WHEN YOU LAY DOWN NEXT TO ME |
| 220 | INTRUDERS, THE | COWBOYS TO GIRLS |
| 221 | GAYE, MARVIN & TERRELL, TAMMI | AIN’T NOTHING LIKE THE REAL THING |
| 222 | GAYE, MARVIN & WESTON, KIM | IT TAKES TWO |
| 223 | BASS, FONTELLA | RESCUE ME |
| 224 | COOKE, SAM | HAVING A PARTY |
| 225 | WHITE, BARRY | YOU’RE THE FIRST, THE LAST, MY EVERYTHING |
| 226 | CARTER, CLARENCE | SLIP AWAY |
| 227 | JACKSON, MICHAEL | BAD |
| 228 | TURNER, TINA | TYPICAL MALE |
| 229 | ORIGINALS, THE | BABY I’M FOR REAL |
| 230 | WONDER, STEVIE | ISN’T SHE LOVELY |
| 231 | REDDING, OTIS | I’VE GOT DREAMS TO REMEMBER |
| 232 | GREEN, AL | FOR THE GOOD TIMES |
| 233 | CHARLES, RAY | TOGETHER AGAIN |
| 234 | GREEN, AL | SHA-LA-LA (MAKE ME HAPPY) |
| 235 | GREEN, AL | HERE I AM (COME AND TAKE ME) |
| 236 | MIRACLES, THE | BABY, BABY DON’T CRY |
| 237 | FRANKLIN, ARETHA | BABY I LOVE YOU |
| 238 | KNIGHT, GLADYS & THE PIPS | IF I WERE YOUR WOMAN |
| 239 | CHARLES, RAY | BUSTED |
| 240 | REDDING, OTIS | THESE ARMS OF MINE |
| 241 | CHARLES, RAY | YOU DON’T KNOW ME |
| 242 | BROWN, JAMES | I GOT THE FEELIN |
| 243 | STARR, EDWIN | TWENTY-FIVE MILES |
| 244 | BUTLER, JERRY / EVERETT, BETTY | LET IT BE ME |
| 245 | STYLISTICS, THE | BREAK UP TO MAKE UP |
| 246 | TURNER, TINA | LET’S STAY TOGETHER |
| 247 | LANCE, MAJOR | THE MONKEY TIME |
| 248 | TROY, DORIS | JUST ONE LOOK |
| 249 | BROWN, JAMES | MOTHER POPCORN PT. 1 |
| 250 | FRANKLIN, ARETHA | ROCK STEADY |
| 251 | COOKE, SAM | TWISTIN’ THE NIGHT AWAY |
| 252 | SUPREMES, THE | UP THE LADDER TO THE ROOF |
| 253 | TURNER, TINA | STEAMY WINDOWS |
| 254 | TURNER, TINA | THE BEST |
| 255 | THOMAS, RUFUS | WALKING THE DOG |
| 256 | WILSON, JACKIE | ALONE AT LAST |
| 257 | FOUR TOPS, THE | STILL WATER (LOVE) |
| 258 | SAM AND DAVE | I THANK YOU |
| 259 | WONDER, STEVIE | DO I DO |
| 260 | LANCE, MAJOR | UM, UM, UM, UM, UM, UM |
| 261 | WHITE, BARRY | WHAT AM I GONNA DO WITH YOU |
| 262 | WILSON, JACKIE | BABY WORKOUT |
| 263 | COOKE, SAM | FRANKIE AND JOHNNY |
| 264 | TEMPTATIONS, THE | BEAUTY IS ONLY SKIN DEEP |
| 265 | McPHATTER, CLYDE | LOVER PLEASE |
| 266 | SALSOUL ORCHESTRA, THE | NICE’N’NAASTY |
| 267 | WELLS, MARY | TWO LOVERS |
| 268 | WELLS, MARY | THE ONE WHO REALLY LOVES YOU |
| 269 | GAYE, MARVIN | HOW SWEET IT IS |
| 270 | CONTOURS, THE | FIRST I LOOK AT THE PURSE |
| 271 | CHARLES, RAY | CRYING TIME |
| 272 | CHARLES, RAY | ONE MINT JULEP |
| 273 | CHARLES, RAY | BABY IT’S COLD OUTSIDE |
| 274 | REDDING, OTIS | HARD TO HANDLE |
| 275 | CHARLES, RAY | UNCHAIN MY HEART |
| 276 | RUFFIN, DAVID | MY WHOLE WORLD ENDED |
| 277 | CHARLES, RAY | TAKE THESE CHAINS FROM MY HEART |
| 278 | FUNKADELIC | KNEE DEEP (NOT JUST) |
| 279 | CHANDLER, GENE | GROOVY SITUATION |
| 280 | WILSON, JACKIE | THAT’S WHY (I LOVE YOU SO) |
| 281 | BUTLER, JERRY | HEY, WESTERN UNION MAN |
| 282 | TEX, JOE | SHOW ME |
| 283 | CHARLES, RAY | YOU ARE MY SUNSHINE |
| 284 | MARVELETTES, THE | DON’T MESS WITH BILL |
| 285 | VELVELETTES, THE | NEEDLE IN A HAYSTACK |
| 286 | TEMPTATIONS, THE | THE WAY YOU DO THE THINGS YOU DO |
| 287 | GAYE, MARVIN | PRIDE AND JOY |
| 288 | REDDING, OTIS | MR. PITFUL |
| 289 | IMPRESSIONS, THE | AMEN |
| 290 | WELLS, MARY | YOU BEAT ME TO THE PUNCH |
| 291 | WILLIS, CHUCK | I FEEL SO BAD |
| 292 | GREEN, AL | L-O-V-E (LOVE) |
| 293 | ORIGINALS, THE | THE BELLS |
| 294 | CHARLES, RAY | HERE WE GO AGAIN |
| 295 | KNIGHT, GLADYS & THE PIPS | I DON’T WANT TO DO WRONG |
| 296 | SPINNERS, THE | IT’S A SHAME |
| 297 | SUPREMES, THE | NATHAN JONES |
| 298 | WILSON, JACKIE | DOGGIN’ AROUND |
| 299 | CHARLES, RAY | RUBY |
| 300 | BROWN, JAMES | GET UP OFFA THAT THING |
Les genres en relation avec le soul
